MP3:
MP3:
Buy the album on July 11
In the next few days I'm also going to post a couple Franz Ferdinand b-sides from the "Fallen" single.


On Thursday, July 13th our own Band of Horses will appear on TV's The Late Show with David Letterman!
Please tune in to your local CBS affiliate at 11:30 pm ET/PT on July 13th to see Band of Horses perform "The Funeral" from their album Everything All the Time.
If you are somehow unfamiliar with The Late Show with David Letterman, here is some info from their website:
"We have featured a nurse who saved her son's iguana by giving it mouth-to-mouth resuscitation; a 10-year-old boy who was home alone and punched out a burglar who was trying to break into his house; and the man who George Steinbrenner dubbed the "Number One Yankee Fan" because he waited on line 33 hours for play-off tickets."
Though we have no idea who the celebrity guest will be that same night, the more sophisticated Sub Pop staffers are pulling for anyone from the movie Little Man, which opens that same week.
OK, so it wasn't Coco Crisp that hit that shot, it was A-Gon. That's what happens when the game is on ESPN. I have to mute it, turn on Boris, and drink. I take Don Orsillo and Jerry Remy over Overated Hershiser and his ESPN lackeys any day of the week. Sorry for the errah.
New York Doll is a wonderful documentary that traces the fascinating trajectory of Arthur "Killer" Kane from his involvement in the meteoric rise of the influential New York Dolls in pre-punk New York City to his conversion to Mormonism and eventual reunion (at Morrissey's behest) 30 years later with the other surviving members of the New York Dolls, David Johansen and Sylvain Sylvain. I have just come to know the music of the Dolls in recent years and the film has inspired me to learn more about the life and times of this band as well as their legacy in rock and punk. Regardless of your taste in music this movie is a beautiful, touching experience that will leave even the casual viewer affected.
We Are Scientists were a little subpar last night. Definitely not as tight as when we caught them at Sonar last year. They seemed rather drunk and their conversations between songs continues to push me further and further away. We didn't have the benefit of a band like The Crimea saving the show for us last night, as was the case with Billy Corgan's set at 9:30 Club last year. Corgan was a terrible disappointment, but The Crimea made it a worthwhile experience for me. In a strange twist of fate, I happened to be wearing my Crimea T-shirt last night that says "Lottery Winners On Acid," (I don't follow the unwritten rule some speak of in regards to wearing band shirts to shows, etc.). While I was hanging out in the back of Black Cat watching the always entertaining freestyle walkers (there is always one, and it is someone different every time), a girl approached me and asked me where I got the shirt because The Crimea had never played DC. I told her that I had the good fortune of catching them open for Billy Corgan last summer and she was pissed that she missed it. We spoke briefly about how much we enjoy The Crimea and then went on our way avoiding the freestyle walker. Here is a little taste for the uninitiated...
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Last week, I posted some information on the new TV on the Radio album, Return to Cookie Mountain. As many of you know, most of these tracks have been floating around on the internet for quite some time now and a domestic release on Interscope is still tbd. With a July 11 release in the UK, you can now stream the album on NME. While Desperate Youth, Blood Thirsty Babes absolutely blew me away with the first four songs on the album, I hardly ever listen to the rest of it. Cookie Mountain is consistently strong throughout. If there is one unbelievable stand-out track, for me, it's "Wolf Like Me." This is the tune that will exist in my playlist for the foreseeable future. I'm posting a live track for the moment, unfortunately, this is all I kind find floating around at the moment.Where Logic couched its mawkishness in a sumptuous, shadowy mantle of sophistication, Feathers lets it all hang out: The jaunty pianos and major key leads, Fletcher's openly maudlin lyrics, and his cheerful/wistful phrasing all downplay the aching drama of Logic in favor of a peppy enthusiasm.This isn't that funny except that Brian seems to be a smart guy. And he seems to want me to know that he is smart guy. Thanks for pushing me, man. And don't sweat it, my criticism is ephemeral, I will be back tomorrow looking to inhale more of your verbose, diffuse piffle. Until then, Pitchfork needs some Editors.
The change is evident from the first song, the cheerfully galloping "In the Beginning". Pianos plink with abandon over a hitch-and-gallop rhythm guitar; a bright lead skims through the mix like a day-glo Frisbee; former drummer Dave Hamelin (the band's primary songwriter) belts out winningly mawkish platitudes ("a hero never turns around") like he means them-- which, by God, he probably does.
I'm the guy. I'm the one. The blogger with the subscription to Rolling Stone. I know what you're thinking and that's fine. If you've been reading the blogs lately you realize that Rolling Stone is running a reality TV show on MTV with their interns and that these interns are complete d-bags. Gotcha. But, I've been sucked into the vortex. It happened a long time ago and the $12 a year continues to be worth it. Yes, it has its moments of boy bands on the cover and features on the likes of AFI and Good Charlottte, but I hang in there...and this week was one of those weeks when it felt good to open up the mailbox and see a new Rolling Stone, mainly because Eddie Vedder was on the cover which reads (as you can see): "RELUCTANT WARRIOR Eddie Vedder & Pearl Jam Return From Exile." Now, as Ben Harper puts it, "[i]t's not a comeback - they've never gone anywhere in my world." Vedder, along with Red Hot Chili Peppers guitarist John Frusciante, Vincent Gallo and Rob Zombie spent hours at Ramone's house, where he would play them music (on a jukebox, not on a guitar) and show film clips of acts from Gene Vincent to the Dead Boys. "We were the students of Johnny Ramone, and forever bonded," Vedder says. "Never have I experienced a loss of someone I talked to with such frequency, in such depth, with such intimacy."My favorite quote was from Eddie, early on in the piece, when he says "I feel like we've been handing in our work on time, and we've been getting A's and B's, but we haven't really raised our hand and spoken out in class...This record is us speaking out in class." There are some Online Extras at RollingStone.com.
The official press release reads as follows:
Fenway needs to let this moron have it today. So do the Sox bats. Part of me wishes we could yank the DH for one game just so this knucklehead can catch some chin music from Nipper's crew.
There is nothing I like more in the morning than a hot cup of
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SUN-AUG-6 FRESNO/SELLAND ARENA
FRI-AUG-18 HONOLULU/BLAISDELL CONCERT HALL
SAT-AUG-19 HONOLULU/BLAISDELL CONCERT HALL
TUE-AUG-22 VANCOUVER/GM PLACE
THU-AUG-24 CALGARY/PENGROWTH CENTER
FRI-AUG-25 EDMONTON/REXALL CENTER
SUN-AUG-27 SEATTLE/THE GORGE
TUE-AUG-29 SALT LAKE CITY/E-CENTER
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Next up on the British rock scene is The Automatic. Their debut, Not Accepted Anywhere, was the album of the week on the Zane Lowe show on BBC Radio 1 last week. The band combine many of the successful elements that you'll find with other British acts: layered vocals, keyboards, catchy choruses and even the occasional cowbell. The album is out today in the UK, no word yet on when it will be released in the states but it's never too early to jump on the bandwagon. Below are a couple of my favorite songs on the album. You can download an additional track on their MySpace page.
[Photo Credit]And now, Tramps. After a two-night stand by Son Volt Wednesday and Thursday, a private party will mark the end of this popular Chelsea club, which, thanks to brilliant booking, has consistently brought audiences the city's most eclectic range of music. Tramps has been a one-of-a-kind haven for musical multipersonalities who could dig anything: hip-hop, funk, punk, country, ska, zydeco. With such an inconsistent clientele, a move might work— a "plan to reopen" is rumored. Given Tramps's history, it'd hardly be a surprise.I never caught a show at Tramps, being all of 19, naive and uninformed at the time it closed, but I have caught Ben a number of times and had the pleasure of meeting him after his show at Fairfield University in 2001. At the time of this show at Tramps he was 8 months shy of releasing the album that would become my introduction to him.
Though the club has been in operation for 25 years, the current location hasn't always been home. In fall 1988, drastic rent increases around Tramps's original 15th Street address prompted a move. In 1992, when owner Terry Dunne renewed the lease for the club's current 21st Street location, a clause banning noise before 6 p.m. was accidentally left intact. "It was an oversight," says Steve Weitzman, Tramps's talent buyer for the past 10 years. "Even so, it wasn't enforced until recently." The situation made preparing for shows, particularly multiple-act bills, difficult. "Who wants to play an important gig with a rushed sound check, or no sound check?" Weitzman asks. "Maybe the landlord was looking for an out. My impression is that when we moved into the area, it wasn't as desirable." He notes that more profitable businesses like Barnes & Noble and Bed Bath & Beyond have since opened shop, as well as other pricey restaurants like Puffy Combs's Justin's. Now an upscale restaurant-lounge is due to slide into Tramps's space. It all adds up to more green for the landlord.[Quote Credit]
Hi everyone
As promised, we've finally finished re-routing the diary for 2006 to enable us to come back to America, to play for all those who didn't get to see us this June. Below are our new tour dates, some have changed venues, one is cancelled completely.
All tickets will be valid for these re-scheduled shows. Any queries, please contact your ticket provider.
August 2006
15th Boston - Bank of America Pavilion
September 2006
6th - Atlanta, Tabernacle
8th - New York, Roseland
9th - Philadelphia, Electric Factory
10th - Washington DC, 930 Club
12th - Montreal, Metropolis
13th - Toronto, Kool Haus
14th - Detroit, Clutch Cargoes
16th - Chicago, Riviera
17th - Minneapolis, First Avenue
21st - Vancouver, PNE forum
23rd - Portland, Roseland
24th - San Francisco, Warfield
26th - Los Angeles, Wiltern
27th - Los Angeles, Wiltern
28th - San Diego, House of Blues
Seattle has sadly been cancelled, but we will be playing at the KNDD Radio Show on August 12th. We will also be playing Portland KNRK on 13th August.
See you all there, and thank you for being so cool about everything!
The Eskimos
[PHOTO CRED]The Vacation will once again be on Fearless Music TV this week - Saturday, June 17th! Fearless Music TV is on Saturday nights at 1am on Fox 5 in NYC. If you are not in NYC, check out the time and channel listing here: FearlessMusic.tv to find out when the show airs in other states. Check it out...it's cool.There are some completely random ass towns on the list of stations. I'm not talking shit, just curious to see if the Charlottesville or Norfolk hook-up makes it happen up here in the Comcastic Cable Monopoly.
This great news courtesy of Frusciante.net:Tuesday, 13 June 2006There is probably nothing that gets me more excited than finding out news regarding The Mars Volta. I am not really sure why. I love them as a band, they put on a breathtaking live performance, and they are outrageously talented, but then again, so are a lot of the bands that we talk about...for some reason TMV just gets me excited.
According to the German music magazine Visions the next release from The Mars Volta will be entitled "Amputechture" and released in mid August. With this record John's involvement in The Mars Volta is going to be taken a step further. He has now become basically the rythmn guitarist of the band. Omar himself lately has been quoted that if he would have someone to play only his notes, he would have recorded everything by himself. This leads to the conclusion that John was given the space to put his own ideas and thoughts into the project.
Flea, Omar, John (l-r)




What May 2 was for major label release euphoria (for me at least - Pearl Jam and Tool), July 25th is quickly shaping up as a momentous release date for some of my favorite new bands. Witness the following and join in on the excitement next month:
"So Coach, let me get this straight...you want me to wear this helmet when I go out there?"
